Take a FREE Trial Lesson During Our Shopping Week!
September 11-17, 2017
Harvard Choruses singers who are new to the Holden Voice Program are invited to sign up for a free trial lesson with the teacher of their choice during the second week of choir rehearsals (9/11-9/17). Trial lessons are 30 minutes long, and are a great way to decide if lessons are right for you. Please sign up by directly emailing the teacher with whom you'd like to take a trial lesson and setting up a time. Email addresses for our Holden Voice Teachers are below. Space is limited, so sign up early!
Signing Up For Lessons
All lesson schedules will be coordinated directly with your teacher. Email your preferred teacher to determine whether there is space in his or her studio and to set up your lesson schedule for the semester. To be eligible for subsidy funding through the Holden Voice Program, you MUST fill out an application with the MLSP program at the Office for the Arts. Only fill out this form once you are certain you are prepared to commit to taking lessons for the semester. If you have any questions about the form, contact Stephanie Troisi (email@example.com, 617-495-8895). You must complete the form by Monday, September 18, 2017 at 11:59 AM to be considered for funding.
The application for funding will be available in August, and more information is available by clicking here.
If you have any additional questions about Voice Lessons at Harvard, please contact Elizabeth Eschen, Director of the Holden Voice Program.
Teacher Contact Information
Marsha Vleck, soprano, has been teaching in the Holden Voice Program since 1964. In addition to her teaching at Harvard, she was Instructor of Voice at University of Massachusetts at Lowell for ten years and has been Instructor of Voice at College of Holy Cross since 1981. Her students can be found singing and teaching both here and abroad. She holds a B.Mus from Oberlin College, an M.M. and the coveted Artist Diploma from New England Conservatory and completed Doctoral studies at Boston University. She studied and performed at the Mozarteum in Salzburg, Austria. In addition to appearing with the Boston Symphony Orchestra in Boston and New York City, and many civic orchestras as an oratorio soloist, she has performed song recitals throughout the eastern U.S., Canada, Austria and Italy. In the Boston area, she was soloist with the Cantata Singers, the Harvard Choral Groups, Boris Goldovsky Opera, and the Boston Opera under Sara Caldwell, as well as many choral groups. As a member of the Boston Chapter of the National Association of Teachers of Singing (NATS), she served as Vice-President for six years. For four years she was a board member of Youth Pro Musica.
Sarah Whitten, soprano, appeared as Lauretta in Cape Cod Opera's August 2005 production of Gianni Schicchi. In May of 2005 she made her debut with Intermezzo Opera as First Knitter in Seymour Barab's Game of Chance. Additional appearances with Cape Cod Opera include Die Fledermaus and, The Golden Age of Operetta for which she received praise from The Cape Cod Times. Additional operatic roles include First Tourieres in Suor Angelica, Micaela in Carmen, Girl in Trouble in Tahiti and Beth in Little Women. Ms. Whitten is a frequent soloist, appearing around the New England area in art song recitals and concerts. She was most recently seen in the Tsunami Relief concert sponsored by the Brookline Music School Faculty Recital Series and also sang in its acclaimed concert, Music from Italy, performing duets and arias from popular Italian operas. In March of 2004 she made her film debut in the role of Diva Soprano in the film, Poet, premiered at the Aidekman Arts Center at Tufts University. She was recently a finalist in both the NATSAA and Palm Beach Atlantic competitions. In addition to performing she works as the Choral Administrator at Harvard University where she also teaches voice lessons to students in the Holden Voice Program and Choir In Progress, an introduction to choral singing class. Ms Whitten holds a Master of Music in Vocal Performance and a Master of Arts in Vocal Pedagogy, both from Ohio State University. She completed additional studies at Chautauqua Institution Summer Voice Program, Oberlin in Italy Program and OperaFest Boston. She is a member of the National Association of Teachers of Singing (NATS), and writes the vocal health pages for Boston Singers Resource.
Elizabeth Eschen, mezzo-soprano, brings knowledge, experience, and passion for the opera and choral worlds to the Holden Voice Program. She made her professional opera debut with OperaTampa’s 2009 production of Suor Angelica, and in 2016-2017 will be seen with the Boston Lyric Opera in Carmen. This past season saw solo performances in Duruflé Requiem with Harvard Glee Club and Radcliffe Chorale Society, Beethoven Mass in C with Newburyport Chorale, and Bach’s St. Matthew Passion with Marsh Chapel Choir. Professional choral experience includes Lorelei Ensemble (founding member), Manhattan Chorale (performances at Lincoln Center and Carnegie Hall), Weimar Bach Academy with Helmuth Rilling, and Boston Baroque (Mass in b minor, October 2016.) She also can be heard on the American cast album recording of Alan Menken and Stephen Schwartz’s Hunchback of Notre Dame. In the studio, Elizabeth believes in the synthesis of informed vocal pedagogy with personal transformation. Singers should understand how the instrument functions, become comfortable with assessing and organizing their own voice, and connect to their individual gifts of artistry and emotion. Developing this healthy relationship with one’s voice takes time, practice, love, and appropriate repertoire; it is a worthwhile and important journey. Elizabeth works with students of all ages and meets them wherever they are on that journey. She has found success with this philosophy on the voice faculties of Regis College, Randolph-Macon College, Fredericksburg Academy, and in her private studio. Her students have earned entrance into top voice programs and Honors choirs across the country.
Charles Blandy, tenor, received praise from Opera News and the Boston Globe for his performance as Francis Flute in Britten's Midsummer Night's Dream at Tanglewood, In 2003 he appeared in the world premiere of Osvaldo Golijov's Ainadamar at Tanglewood. He later reprised the role at Walt Disney Concert Hall in Los Angeles. He made his company debut with Opera Boston this season, appearing in Offenbach's La Vie Parisienne and Gluck's Alceste to critical acclaim. Mr. Blandy was a finalist in the 2005 Oratorio Society of New York solo competition. Recent concert appearances include Handel's Messiah with the Charlotte Symphony and Handel Choir of Baltimore. He is often a soloist with the Cantata Singers in Boston, with whom he has sung Bach's St. John Passion, Schumann's Scenes from Goethe's Faust and Bach's St. Matthew Passion. His performance of Jorge Liderman's Song of Songs with the San Francisco Contemporary Music Players (now a Bridge Records CD), was called "sterling" by the San Francisco Chronicle. A CD of songs by American composer Arthur Berger on the Arsis label is forthcoming. He has sung works of Daniel Pinkham, Francis Poulenc, and Arthur Honegger with the Florestan Recital Project. He now teaches in Harvard University's Holden Voice Program. In 2003 and 2004, he was a fellow at the Tanglewood Music Center, where he was awarded the Grace B. Jackson prize. He received his Master's Degree from Indiana University, where he studied voice with Alan Bennett and Lied repertoire with Leonard Hokanson, and has studied at the Britten-Pears School in Aldeburgh, England. In Chicago he studied with Ronald Combs and Winifred Brown. He is a native of Troy, NY, and graduated from Oberlin College with a BA in religion.
Harris Ipock, baritone, is currently pursuing his doctorate in choral conducting from Eastman School of Music. He recently served on the faculty of Hobart and William Smith Colleges. An active professional chorister, he has performed with Conspirare, Voices, the Virginia Chorale, Norfolk Chamber Consort, and TodiVoices. He also holds degrees from the University of North Carolina at Chapel Hill and East Carolina University.